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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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AUTRES
Vous avez sélectionné:
System Of A Down
1 Piano, 4 mains
Partitions à imprimer
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A Million Buffalo Roam (Piano Duet)
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.972639
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.972639 Composed by James Siddons. 20th Century,Folk,Holiday,Patriotic,Ragtime. Score and parts. 49 pages. James Siddons Music and Writings #3093043. Published by James Siddons Music and Writings (A0.972639). This composition, by composer, pianist, and musicologist James Siddons, is neither an arrangement nor a medley. Rather, it is a kind of historical re-construction; one that imagines how a typical piano rag of before 1905 would have sounded when performed by a skillful vernacular pianist as a virtuosic improvisation. A Million Buffalo Roam presents Tom Turpin's Buffalo Rag, Home On the Range, and the Star-Spangled Banner as an extended virtuosic display. It is a representation of a little-documented performance practice. After improvisatory passages on the three themes of The Buffalo Rag are heard individually, they are combined with the tunes of Home On the Range and the Star-Spangled Banner, including one passage in which Home On the Range and the Star-Spangled Banner are played simultaneously, combined with the accompaniment patterns of Buffalo Rag. This work may be performed as a piano duet, piano duo, or piano ensemble. It is also published as a Conductor's Score, with Primo and Secondo combined in one four-staff system.
$10.00
9.33 €
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1 Piano, 4 mains
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James Siddons
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arrangement nor a medley
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A Million Buffalo Roam
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James Siddons Music and Writings
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SheetMusicPlus
Passacaglia in C (piano duet)
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bachâs stonking Passacaglia in C minor for organ. However, the implied harmonies of Bachâs original ground bass are treated to some twisted harmonies â where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a âdominantâ and âsubdominantâ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships â one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bachâs original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through âcloselyâ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
9.32 €
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1 Piano, 4 mains
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Amy Susanne
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1277503 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1277503 Composed by Cindy A. Maher. Traditional,Wedding. Score. 8 pages. Cindy A. Maher #869191. Published by Cindy A. Maher (A0.1277503). This piece was composed for my daughter's wedding recessional and purposely written as a duet to allow both my sisters to participate in the last piece for the ceremony. It is bright and joyful. There are four pages of music with a three-system repeat. Two blank pages are added at the end to allow more pages to be seen for preview purposes.
$6.99
6.52 €
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1 Piano, 4 mains
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Cindy A
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Amy Susanne
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Cindy A. Maher
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SheetMusicPlus
Conjeturas sistemáticas [piano 4 hands]
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596548
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596548 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score and parts. 8 pages. Juan Maria Solare #4405060. Published by Juan Maria Solare (A0.596548). Conjeturas sistemáticas (Systematic conjectures) for piano four hands A piece composed in Bremen (North Germany) between 8th and 10th March 2013, about 4 minutes long, and dedicated to Mario GarcÃa Acevedo in memoriam (who died on March 6, 2013 in Buenos Aires). The title alludes to a phrase that Mario GarcÃa Acevedo said en passant during a lecture in SADAIC remembering the twentieth anniversary of the death of Rodolfo Caracciolo: True science is a set of systematic and ordered suspicions. I altered this thought slightly, because systematic suspicions seemed to me a more suitable title for a detective novel. Musically speaking, this piece uses modulating pandiatonism, a technique that I used in several other pieces as well. Mario GarcÃa Acevedo was one of those few people who can be said to have been wise in the most complete and overwhelming sense of the word. He was one of my teachers at the (ex) National Conservatory of Music, I no longer remember teacher of what, because he was the kind of person who was an integral teacher, not of this or that. I had the pleasure of performing the European premiere of his work Amanecer in Bremen in 2008. Marito delivered a speech during the burial of Juan Carlos Zorzi, ending with the words Maestro: Until the Resurrection! Let his words be also valid for him. Juan MarÃa Solare
$2.50
2.33 €
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1 Piano, 4 mains
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Juan MarÃa Solare
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Conjeturas sistemáticas [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
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